Harley Davidson Duo Glide by Nick Veasey

 

  • Material: Chromoluxe is an archival dye sublimation print on aluminium in float frame
  • Sizes: 90.5×47″, 71×36.5″ or 47×24″ (inquire for specifics on edition by size)

Nick’s work with radiographic imaging equipment takes the x-ray to another level. Everyday objects are transformed from the banal to the beguiling and the layers and make-up of natural items are shown in fantastic detail.

These works are a classic example of the fusion between art and science. The results transcend classification as photographs, having the gravitas to motivate science institutions and art galleries to acquire the artworks. The Victoria and Albert Museum in London have recently added his work to the British National Collection of Photography. Nick regularly exhibits at fine art galleries the world over. The ethereal and fascinating works have collected a host of International awards.


Description

Artist Statement

We live in a world obsessed with image. What we look like, what our clothes look like, houses, cars… I like to counter this obsession with superficial appearance by using Xrays to strip back the layers and show what it is like under the surface. Often the integral beauty adds intrigue to the familiar. We all make assumptions based on the external visual aspects of what surrounds us and we are attracted to people and forms that are aesthetically pleasing. I like to challenge this automatic way that we react to just physical appearance by highlighting the, often surprising, inner beauty.

This society of ours, consumed as it is by image, is also becoming increasingly controlled by security and surveillance. Take a flight, or go into a high profile courtroom and your belongings will be X-rayed. The post arriving in corporations and government departments has often been X-rayed. Security cameras track our every move. Mobile phone receptions place us at any given time. Information is key to the fight against whatever we are meant to be fighting against. To create art with equipment and technology designed to help big brother delve deeper, to use some of that fancy complicated gadgetry that helps remove the freedom and individuality in our lives, to use that apparatus to create beauty brings a smile to my face.

To mix my metaphors, we all know we shouldn’t judge a book by its cover, that beauty is more than skin deep. By revealing the inside, the quintessential element of my art speculates upon what the manufactured and natural world really consists of

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